Wednesday, July 13, 2011

SYTYCD Top 12 Perform

Greetings, dance partiers! We're getting down to it now...tonight will be the last pre-tour cut, screwing some unlucky dancer out of a job so that we can keep Ryan another week. Cat greets us in dramatic fashion, but something has gone awry with her makeup, because she looks like Baby Jane.  Our Top 12 come out for the usual intros, and Melanie's romper outfit leads me to wonder: what is it about dancers and the high waisted short shorts? Is it functional in some way? Because by and large, it ain't flattering. Enjoy your pairings tonight, dancers, because next week the All-Stars join us and all our couples, "power" or otherwise, will be split up.

Cat says "it was a close shave tonight, we are live." Was there a technical ish? is that why she looks a little smeary and sweaty? She doesn't tell us, just introduces the judges. Our chosen four tonight include guest judge Jesse Tyler Ferguson. You may know him from "Modern Family," or like me, you may have seen him in "The 25th Annual Putnam County Spelling Bee," which was great.  Cat tells us that "for the very first time we have someone with an extensive Broadway background." Um, didn't you just have Kristin Chenoweth two weeks ago? WTF? And our choreography-judge tonight is Sonya Tayeh. She's completely nuts, so I expect her to judge in the Lil C mold.  Jesse acknowledges that yes, he did a little Broadway, but also shouts out his extensive theme park experience in shows like "Celebrate Freedom" or "The Country Connection." Oh, JTF, I'm falling in love. Please tell me you'll be funny all night.

Thursday, July 7, 2011

SYTYCD Top 14 Results

Our results show begins with a colorful Bollywood number--but we're missing one guy. I can't spot who it is amidst the whirling scarves, but I can see Ricky, Mitchell, Jess and Marko (I think--unless that's Tadd). Cat makes no mention of it, though, as she introduces the judges. (Could I just have missed a dancer?) Apparently my refusal to acknowledge the celebrity judge of last night worked, because Carmen Electra is not with us tonight. And nor is Travis' purple jacket. Tonight he's in a tux. Cat is in a minidress made entirely of glitter.

We waste no time in welcoming our first two couples onstage for their results. They are Melanie & Marko and Caitlynn & Mitchell--I don't think M&M are in danger, so we're either looking at C&M in the bottom, or no one. And given the rapturous reception of their dance last night, I'm guessing that Caitlynn and Mitchell are safe too.  (This means we'll have to dump 2 out of 3 of the middle set, and then one from the last.) M&M are declared safe first, and act so relieved that it looks a bit put on, to be honest. C&M are holding their breath, but they're safe too! Happy screams from the audience.

We come back to a bit about National Dance Day, but I'm not recapping this nonsense. (It's July 30, in case you're observant.)  Let's get to our next three couples--Cat brings out Chris & Ashley, Jess & Clarice, and Jordan & Tadd.  I think Chris might wear the same thing every results show. Does he have only one dancing t-shirt? What must that smell like by now?

Chris & Ashley are the logical pair to go home, except that Chris is a cutie and could get the teenybopper vote....but they don't. They're in the bottom three, and I think they're doomed. Nigel's over them. Now that America has voted, he reframes last night's mild criticism of their salsa style and says, "It really wasn't there." Dude, we won't kill you if you say negative things, honest! Moving on...in the review of last night's dance, I am struck anew about how unflattering Clarice's romper was. We also review Jordan & Tadd's dance before revealing the results. I will also note that Jordan's bra top has blue feathers on one boob tonight. She has a lamental love of uniboob adornment--can't we stage a fashion intervention? Not now we can't, because Jordan will have to dance--she and Tadd are also in the bottom 3. Neither of them looks particularly surprised; they know it's hard to drum up votes when you're stuck with a slow dance like the waltz. Clarice & Jess are safe, and it seems like they've climbed up in the ranks for good.  At the very least, I think they may make the tour!

Now it's time for our final two couples, Ryan & Ricky and Sasha & Alex. One of them must be in the bottom--will Sasha & Alex pay for last night's lackluster hip hop? Has Ryan done enough to win us over? Does America prefer pink fringe or yellow eyeshadow? I will grudgingly say that Ryan looks better than she ever has--she got a soft wavy blowout and a smoky eye in preparation for tonight. Sasha looks like she thinks it's them. But no! It's Ryan and Ricky! America just will not have Ryan, regardless of Nigel's pushing. (OK, I suppose it could be Ricky we're rejecting, but I suspect not.) Travis seems blown away and expresses disbelief before urging them to dance for their lives. Honestly, does it even matter? Nigel's not getting rid of Golden Girl--he's going to dump Chris and Ashley.  It's OK--they're probably the weakest remaining couple. I do wish he was willing to split up some pairings, though! It would be interesting to see what happened if, say, he dumped Ryan and Chris so that Ashley partnered with Ricky.  I miss when the partnerships were mixed up every week.

While the soloists prepare for their dances, we watch the Cedar Lake Contemporary Ballet troupe, which reminds us what truly professional dancing looks like. These people have muscles on their muscles, and move with astounding fluidity and grace. Amazingly, I am able to appreciate their quality of movement without having someone tell me that it's a story about a man and a woman who are passionately in love.

Ashley is our first soloist, and to my untrained eye, her solo is terrible. It's mostly her stepping around the stage, kicking and pirouetting and smile-smile-smiling. She definitely didn't save herself with that. Chris, on the other hand, breaks out every trick he has and may have actually unscrewed his neck from his head. He is breaking as though his life depends on it. (Which, by the terms of the show, it does.) Jordan does a spin, several HMVs, and takes way too long to warm up given that she only has 30 seconds. Half these people don't know how to choreograph a solo--wouldn't you have at least a couple of 30-second bits in your pocket when you got cast?

Tadd breaks things up by starting his solo stage right and walk-breaking to center. He, too, has lots of tricks, but they're not as impressive and connected as Chris's. Ryan is next--hope she didn't get her hair did for nothin'! She's very flaily in the usual contemporary mode, and there's a bit of hairography, but she's also the only girl who's infused her dancing with any emotion. Probably enough to stay. Ricky starts with a slow arabesque and then does some amazing leaps, followed by the equivalent of the HMV for men. His movement is great, even if the poses aren't all that cohesive. I don't think he's in trouble tonight.

We take a break for Florence + the Machine while the judges deliberate. Does Florence have any relationship to dance at all? I know she's a pop star, but in an indie rock vein, no? Not exactly Lady Gaga.  I will point out that the band's drum & keyboard are festooned with flowers, and also note that this is the first act I've seen involving rock harp. If only it didn't sound so much like Tuvan throat singing.

We're back! The three girls are holding hands and on the verge of tears, but Ashley looks like she's resigned to going home. Sounds like the judges were unimpressed with the solos in general, because Nigel tells them all, guys and girls, that they need to up their game. He also specifically calls out Jordan on all the HMVs, though he calls them developpes. Then he tells her she's been excellent in all her routines on the show thus far. Ryan is called forward just to be told, "We love you. You were excellent tonight. Step back." Ashley comes forth and Nigel tells her that she's been good, but not really great, and she is dismissed. The audience doesn't seem surprised, or indeed, upset. Ashley's devastated but trying to put a brave face on it.

Now the boys are up, and we start with Ricky. Nigel says, "Travis believes that next to Marko, you are the best contemporary dancer we've got this season." Hmm, that's a bit weird--why ascribe that opinion to Travis and not yourself? Nigel goes on to say, "Somehow you and your partner are not connecting with America." That's weird, you guys--I must have missed the part where Nigel criticized Ryan for not connecting with the audience. I'm sure I would have mentioned it if he had! Chris does amazing solos (that's all we get). Travis says (per Nigel) he really wants to work with Tadd. (Go back.) Nigel calls Chris back up and says that although his solos are awesome, he's not keeping up in the main dances, so he's going home. Fair enough. There's a ripple of dismay in the audience, but not a big one--I think people know he's done the worst of these three guys.  They also know Nigel isn't splitting up partners, so once Ashley was gone it was pretty much a done deal. I think Chris and his amazing cheekbones will be OK. I can only assume there's a modeling contract in his future.

As Cat urges the audience to their feet and salutes the dancers, Chris and Ashley are smiling and weeping as though they really are going to be taken out and shot. Aw, they seem like nice kids. Best of luck, you two!  And that'll do it until next week!

Wednesday, July 6, 2011

SYTYCD Top 14 Perform



Oops, here I am, happily watching Cat tell us about her 4th of July barbecue, when I realize...I'm supposed to be recapping this thing! No part of my life is unmoderated by glowing rectangles. It's a sickness.  Fortunately, nothing's started yet. Judgery update: we're joined tonight by two special guests, Carmen Electra and Travis Wall.  Carmen is dance-trained, apparently, and won Miss Dance Ohio back in the day. Travis is the Anointed One, as you know, and is wearing a purple velvet jacket about which no more will be said. If I start calling him Willy Wonka partway through, you'll know why.  Tonight we'll have two group dances as well as our usual routines...and away we go!

We have a new choreographer, Justin Giles, who sounds like he's a good ol' Southern boy. He's choreographing a group dance for the boys (thank you for sparing me, show, by just gender-sorting everyone this week). The rehearsal footage suggests that Giles is a contemporary dancer--he tells us that the dance is about "the 7 stages of grief." While I am initially excited about this departure from yet another love story (leaving aside the fact that I thought there were only 5 stages?), my glee is fleeting when he explains that the boys are grieving a failed love affair. As there are 7 boys, I suspect that each one will be portraying a different stage, which Justin kindly lists: shock, anger, denial, depression, guilt, bargaining and acceptance.

The guys begin on a darkened stage under individual spotlights, clad in different outfits in the same gray palette. Jess is in a rumpled suit, Ricky is in shorts, etc.  Marko is shirtless for us.  Thanks, Marko! Chris is being eaten by his hoodie. I like the choreography--it's forceful and sort of martial-artsy, mostly in unison or series. Can't say that I got all seven stages, but they were definitely angry in the middle there somewhere. I think Kubler-Ross would give it to them.

Wednesday, June 29, 2011

SYTYCD Top 16 Perform

I'm back from a busy day of RWA shenanigans--Times Square is filled with romance writers, people, so you'd better watch out!  Fortunately, I'm still in time for tonight's SYTYCD.  Our lovely hostess, Cat, is in full flapper regalia today.  Either someone got a bob, or she has a clever stylist, because her hair is all short and curly--she's in a glittery flapper shift as well. Very cute.

We have four judges tonight--maybe the first two rounds convinced them that the guests weren't going to say much?  In addition to Nigel and Mary, we have Lil C, and special guest Kristen Chenoweth, who is now required to appear on every Fox show at least once a season. Does she really have much to say about dancing? I know she's a Broadway star, but my sense is that she's not exactly cast for her footwork. Lil C is his usual self, but I must grant him a "heh" when Cat asks what he's been up to and he says, "I've been a busy lil' buckster." But I don't actually care what he's been doing, so I FF.

Tonight the group is split into halves for two group numbers--Cat tells us the judges won't comment on the group routines, but will take them into consideration.  Think this is just a ploy to let them keep their golden child, Ryan, despite the fact that the audience didn't cotton to her last week? I'm suspicious.

First group has a Tyce routine, and I'm sorry to say the bowler hats are back.  He's choreographed a guys vs. girls dance involving chairs and hats, in which the girls kick ass. How fresh and original. I was just talking with someone about how much we hate that all competition shows so quickly devolve into boys vs. girls, as though gender was a signifier of skill.  Please address the sexual politics of this in the comments :).  Anyway, they're dancing to "Hit the Road, Jack" and the chairs have those stick-on spotlights underneath them, which I suppose is supposed to be innovative. I think the number is badly filmed so that we're probably missing a lot of the patterns, but it's OK. Decent for Tyce, not as shticky as he can be.

Our first couple is Sasha and Alex, dancing a Dee Caspary contemporary routine. I liked Caspary last season, and I'm happy to have some relatively fresh blood. The opening video clips are about the dancers' first performances, and as Cat says, are really just an excuse to show baby photos of the kids. I will mention them only if they say something remarkable. The dance is a love story (again), but in this case Sasha is playing the memory of a long ago love, which Alex is remembering.  The dance opens with Alex seated at a piano. (Well, a "piano." It's huge and blocky in a way that makes me think it's meant for dancing on rather than playing.)  And indeed, they're all over it, around it, on top of it, and at one point, Sasha climbs inside it and then reaches her hands onto the keyboard from within. (Which looks a little creepy, frankly.) It was an odd piece, and I think they danced it well, but it didn't really let them show off so much.